Remembering Christmas Past

When John, David, Tommy and Mary Marshall were very young, each year on the first Sunday in Advent, Jack Marshall would try to set the proper tone for the upcoming Christmas season.

"Stir up thy power, we beseech thee oh Lord, and come!" he would read with his most fervent Catholic voice, while John, the oldest, enjoyed the privilege of lighting the first candle on our homemade Advent wreath as we sat down to our Sunday meal.

The process was repeated with the appropriate reading for each Sunday in Advent. Then the candle-lighting privilege passed down through the birth order, so that David was accorded the honor on the second Sunday, then me on the third, and finally little Mary, usually with some help from Mom, lit all four candles in the final days before Christmas.

For a while it worked.

All of us spent the weeks watching as Dad added little creatures to his homemade nativity scene. The manger remained empty, though, until Christmas morning, when a tiny little plastic baby Jesus appeared as if by magic.

But despite Jack Marshall's best efforts, the weeks leading up the big day in the Marshall household inevitably and steadily devolved into a frenzy of gift buying, tree trimming and house decorating.

It started perhaps with the famous Christmas Festival just down Highway 1 in tiny Natchitoches, LA, where our St. Joseph's band sometimes marched in the annual parade on the first weekend in December. (The festival was made even more famous years later when it was portrayed in the movie "Steel Magnolias.") The same parade where Jack Marshall snapped the photo, below, of "Miss Christmas Festival" on December 5, 1959, as she proudly waved to the crowd in front of the Piggly Wiggly store.

It continued when we finally persuaded Dad it was time to buy and trim the Christmas tree.

Buying a tree always was a big deal to Jack Marshall. The whole family would pile into our '52 Chevy (nicknamed "The Metal Monster" by my older brothers) and drive to the big tree sale lot run by the Optimist Club near the corner of Youree Drive and Kings Highway. I imagine that when the tree salesmen saw our big crew unload, they all suddenly wanted to take a break and duck into Murrell's Grill for a cup of hot coffee. Because each of us had a different -- and strong -- opinion about which tree was best.

After careful inspection of every tree on the lot, and mindful of Dad's budget restrictions ("Nothing over $10 kids"), a tree was selected and ceremoniously tied to the roof of The Metal Monster using an intricate series of slip knots that my father proudly demonstrated to us. Then we drove home with our prized possession blowing in the wind above us, like the carcass of a giant moose that was going to feed the family for the winter.

Once home, the fun turned serious.

First, Dad, John and David were charged with putting the tree into the stand and getting it straight. This usually took only an hour or two, while Mom, Mary and I were unboxing the rest of the decorations and checking the lights. For some reason, Christmas tree lights mysteriously ceased to operate during their summer in the scorching hot attics of Louisiana. After several trips to the TG&Y store for spare bulbs and working extension cords, the tree was lit and decorated with ornaments.

And then, the much anticipated final glorious ultimate level of decoration: tinsel.

Each of us was given a carefully tied bundle of tinsel from last year's tree, which my father had carefully saved. (Others families inexplicably discarded their trees each year after Christmas with most of the tinsel still tangled in the branches, but not the Marshalls!) And we were reminded vigrously that for the most realistic effect, each and every strand of tinsel must, repeat MUST, be hung carefully and individually from the limbs of the tree. Dad ceremoniously demonstrated the proper technique, and then retreated to one corner of the room to watch his young charges follow his careful orders.

John was exacting and perfect in following the guidelines (he is now an accountant by the way). David, being tall, always did a great job at the top of the tree. Which left the bottom branches to Mary and me.

Let's just say that's where Jack Marshall's plan usually went awry.

I promise, I tried to follow Dad's instructions. And I actually did for the first few minutes. But my young attention span was not focused enough for the task and soon I was sneaking two or three strands at a time onto the limbs. And almost from the start, Mary believed the tinsel was just plain fun, and should be twirled, spun, waved and ultimately tossed in huge unruly chunks anywhere and everywhere on the tree.

In her defense, Mary had more fun than the rest of us put together. And, I believe, Jack Marshall had fun watching her too, as you can see by his photo at the end of the article, taken in December of 1958.

With the tree decorated, it was time for one last photo, top, before the presents began to fill the space underneath. And then began the countdown to Christmas Day itself, when all those wonderful presents provided the Marshall kids with a fitting end to the holy season of Advent.

Wherever you are this morning, I hope you are with family, sharing the wonder and magic of Christmas. I am in Shreveport at Mary's home, and her expertly trimmed tree is a perfect centerpiece to this happy day. Somewhere in heaven, I am certain that Jack Marshall is enjoying his fragrant fir with real icicles hanging gloriously and perfectly from each branch.

Merry Christmas everyone!

–Tom Marshall, New York City
on Christmas Day 2009 in Shreveport

Christmas Shopping at the TG&Y

As we officially approach the end of the annual Christmas shopping season, I am finding special inspiration in some of Jack Marshall's classic holiday photographs.

When I was a kid, Christmas shopping was easy. You saved your allowance, supplemented it with income from odd chores and perhaps a little parental largesse, and a few days before December 25 you headed to the TG&Y Store and knocked it all out in less than an hour. No muss, no fuss.

What's that you say? You haven't heard of the TG&Y Store? Well, let me tell you...

Long before the big Shreve Memorial Library that now occupies the site off Kings Highway between Patton and Preston just east of the bayou in Shreveport, there was an outdoor movie house called King's Drive-In Theatre. In the mid- to late-1950s, the theater closed and the state-of-the-art Shreve Island Shopping Center opened in its place.

It was the newest idea around, something totally revolutionary, called a strip mall.

The center featured a big A&P supermarket (relocated from near Centenary College), a small department store called Beall's, the Shreve Island Drug store (which featured 5¢ cherry Cokes at the soda fountain), a dress shop called Sa-Ru's Fashions, a barber shop (75¢, four chairs, no waiting), a dry cleaners and the greatest thing ever to hit our end of town, the TG&Y.

TG&Y was sort of like Walmart, only smaller and cheaper.

Back then I had no idea what TG&Y stood for. The kids in the neighborhood concocted a slogan that went something like, "Take It, Grab It, and Yell" for how we felt when we went shopping there. Jack Marshall liked to call it "T-Gyp-and-Y." The chain's slogan was "Your best buy is at TG&Y."

(The all-knowing Wikipedia now tells me that TG&Y actually represented the last names of the store's three founders – Tomlinson, Gosselin and Young. The chain was based in Oklahoma City and at its peak boasted more than 900 stores. After a series of sales and consolidations, the last vestiges of TG&Y went out of business in 2001.)

My brothers John and David and sister Mary and I did all our Christmas shopping there. We also hoped Santa was smart enough to shop there too, because it seemed to us that the store had everything we wanted. Mary had her eye on a Chatty Cathy doll, and I was a big fan of coin collecting and model airplanes. Lucky for us, TG&Y was just the place to find such things.

In Jack Marshall's photographs, you can see mannequins (top of post) sporting the latest scarves for Mom, Mary and I reaching for our dreams (above), Mary enjoying the Chatty Cathy display (below), and finally, Mary counting her pennies to see if it all adds up (end of post).

I fear I am starting to sound like –no, I fear I am becoming – an old fogey who too fondly remembers times past. But I make no apology for happy memories of walking into that TG&Y a few days before Christmas with considerably less than $10 in your pocket and buying something for everyone on your shopping list, with enough left over for a bag full of Hershey's Kisses to give you strength for the bike ride home.

For some reason, I especially remember a framed painting I bought one year at TG&Y for my grandmother, my father's mother whom we called "Muds." It was a mountain scene and I thought it was beautiful, and I hoped fervently that Muds would appreciate it, for she was an accomplished oil painter herself. I recall that the painting, frame and all, cost 79 cents. I remember the delight on my grandmother's face when she unwrapped the present on Christmas Eve, as we all gathered to open the non-Santa presents before going to Midnight Mass at St. Joseph's.

But what I especially remember is that for the next 20 or so years, that 79¢ painting hung on the wall of Muds's little house on Rutherford Street and then in the nursing home where she spent her last years, proudly displayed among her truly beautiful oil paintings.

Because for 79 cents at the TG&Y, you surely could show your grandmother how much you loved her.

Here's to your own successful last-minute Christmas shopping!

– Tom Marshall, New York City

My Friend Tommy Wall

A long time ago, I had a friend named Tommy Wall.

In Jack Marshall's photograph, above, taken in the summer of 1963, my friend Tommy Wall is standing confidently in the back row, second from the left, with his hat cocked just so. Tommy Marshall is the one just in front of him, leaning in to hold the bat with my right hand. We were playing for our first baseball team, in the South Shreveport YMCA. I recall we chose the name "Tigers" for our team that long-ago season. We were 9 years old.

Tommy Wall lived on the same street as I did, just a couple of blocks away. Tommy was his family's only son; he had 5 sisters. From kindergarten through eighth grade, we played together on all the same sports teams. Usually we played for teams sponsored by St. Joseph's Catholic Church. We played football in the fall, basketball in the winter, and baseball in the spring and summer. When we were kids, there was a perfect symmetry to the seasons of sport, because those three were the only pursuits available to us. There was no such thing as soccer or lacrosse or any of the other more exotic sports that kids play today.

In our corner of Shreveport, Tommy Wall almost always was the best athlete on our teams. And even when he was challenged for athletic superiority -- which was rare -- Tommy Wall was our undisputed leader. It was never questioned. He just led us, and we followed.

Chances are you knew someone like Tommy Wall.

Have you ever seen the Disney movie, "The Sandlot"? It's about a group of boys who spend an early 1960s summer playing baseball together. Tommy Wall reminds me of the Benny "The Jet" Rodriguez character in that movie, the kid who is the fastest and best athlete on the team, and also the undisputed leader of the group.

At St. Joe's, whenever the nuns let us troop outside for recess, Tommy Wall was the kid who was organizing a game of some sort. Choosing up sides and playing whatever sport was in season.

All these years later, the most amazing thing I remember about Tommy is not how well he played the games of our youth. Instead I remember him most for a certain innate skill he had from the earliest age of being that game organizer, and more importantly, the one who made sure everyone was included, and that the teams were fair.

Tommy Wall was the one who switched teams to even up the competition. Or who played catcher for both teams when no one else wanted the job. Or who coaxed the shy or unsure kid from the sidelines into the game.

I was that kid on the sidelines once. Though never shy (ask my family and friends about that), I never was a very confident athlete. I played on all the teams, and I had a great time with sports, but I just didn't feel I had the same skills as many of the other kids.

That didn't matter to Tommy Wall.

He wanted everyone to play, and in a prescience beyond his years, I believe he understood that we were better as a team than he ever could be as an individual player.

The most special thing that Tommy Wall ever did for me happened at recess one day at St. Joseph's, during our third grade year. We were playing baseball, and Tommy was the catcher for both teams. Since it wasn't an official practice there was no real equipment, just a baseball and a bat someone had brought from home. And no protective gear for the catcher.

When it was my turn to bat, a kid named Danny Brooks was pitching. Danny wound up and threw a fast, hard pitch, right down the middle. I closed my eyes, took a mighty swing and hit a foul tip that changed the ball's course just enough so that Tommy Wall was not able to catch it in his glove. Instead, the ball plunked loudly into his ribs, and he rolled onto the ground in obvious pain.

Everyone gathered around, waiting to see how badly he was hurt, what he would say, what he would do. I was in the crowd, half expecting him to come up ready for a fight. After all, I had injured the great Tommy Wall! Slowly he rolled over, grimacing from the pain. And then he said words I'll never forget: "That's all right, a lot of batters do that." The best athlete in the school had just saved my life, I thought, and on top of that, he had called me a "batter." On that day, Tommy Wall set for me an example of leadership and fairness among peers that never would be surpassed. I felt I owed him a debt I never repaid.

Throughout our elementary years, our St. Joe's teams won and lost games, but due to the skill of Tommy Wall and several other good young athletes, we won far more than we lost.

In the middle picture above, Jack Marshall's camera caught Tommy Wall scoring a run in a seventh-grade baseball game in 1967. Immediately below is our 6th grade football team, in November 1965. Tommy Wall is in the front row, No. 18, our quarterback. The picture at the bottom of this post is our 5th grade basketball team, celebrating one of several city championships. If you don't recognize him by now, Tommy is 3rd from the right in the front, smiling and reaching out to touch our plaque.

After St. Joseph's, I went on to Jesuit High School, and Tommy Wall went to a different high school. Somewhere over the next few years, we lost touch as we finished high school and enrolled in college.

For my freshman year in college, I lived at home and went to Centenary College, where Jack Marshall received his education. Tommy, like so many other young Shreveporters, headed down to Baton Rouge for college at LSU. One weekend during the fall of that 1972 freshman year, on an infamously treacherous road between Shreveport and Baton Rouge, Tommy Wall was tragically killed in an automobile accident. I never got a chance to thank him for how he treated me on that 3rd grade playground.

Because of the memories inspired by Jack Marshall's photographs of our glory days at St. Joseph's, today my sister Mary and I went for a run on a chilly, breezy morning in Shreveport. Our route took us to Forest Park Cemetery, where we found the shaded gravesite of a boy who died too young, just 18 years old, on September 14, 1972. We wiped away the fallen leaves from the small marker, and when I saw the name Thomas Charles Wall, Jr. etched in the cold, hard stone, it brought tears to my eyes. Tears I never shed for a friend to whom I never said goodbye.

So today, finally, I stood quietly for a moment and said goodbye to my boyhood friend Tommy Wall. And, most importantly, I whispered a silent prayer of simple thanks, remembering a wonderful act of genuine sportsmanship bestowed upon me nearly 50 years ago by a young athlete and forever friend. And for which, to this day, I remain grateful.

--Tom Marshall, New York City

Written while visiting Shreveport

Thanksgiving at the Marshalls

Over the years, what stands out in my memories of our family Thanksgiving dinners is that they were remarkable for their lack of drama.

In the years before Martha Stewart made everyone feel guilty for not creating memorably lavish gastronomic triumphs, Jack and Giffy Marshall did a pretty good job of creating memories for me with the small core group of regulars who each year came to our house on Audubon Place in Shreveport to give simple thanks.

In my recollection, there was nothing outrageous enough to make into a movie, or even into a sitcom script. No breathtaking revelations from family members, no drunken brawls amongst aunts and uncles, no unruly dogs eating the turkey from the kitchen counter. Nothing but good food and a larger than normal group around the table.

Don't get me wrong though. Thanksgiving at the Marshalls always was a special day, and I looked forward to it as a highlight of each year of my young life.

First was the food itself. Not so much the quality -- although our mother was an excellent cook -- but the quantity. The Marshalls were neither poor nor rich. But, on the 364 regular days of the year, there were limits imposed on what we could eat and drink. ONE slice of bacon and ONE glass of orange juice at breakfast. (There was a lot of bartering, however, between siblings.) Lots of spaghetti and casseroles. Salmon croquettes or fish sticks on Friday. Roast beef with rice and gravy once a week, on Sunday. Few snack foods or desserts.

Thanksgiving was just the opposite. There was a full and diverse menu from which to choose and plenty of everything!

Most memorably, we ate in the dining room, not the kitchen. Mom and Dad made a big deal out of putting the large oval top on the dining room table, which made it big enough for 12 or more. If the crowd was particularly large, a series of card tables was attached from the bottom of the oval, and stretched into the living room area. Thanksgiving was the one meal a year when we ate off the "good china" with the "real silverware." And thanks to Land O'Lakes and the A&P Supermarket, there always was "real butter" too -- an unheard-of treat!

Another thing that was special about Thanksgiving to me was that there usually was no kids table. My sister Mary says Giffy wanted it that way, for everyone to sit together. I always liked that. Even when I was small, I remember sitting with the grown-ups and listening to grown-up talk, about President Kennedy, maybe, or the new Pope who had changed the rules regarding fasting before communion, or whether Navy could beat Army in the week's big game. My mother's mother, Mere, had a favorite expression from growing up in a large, multi-generational, French-speaking home. "Let only six talk at a time," Mere would say, and at our Thanksgiving table, that often was the case.

When all was ready, Jack Marshall would begin the blessing. Nowadays, we usually improvise, with one person or everyone giving specific thanks for the many blessings in our lives. Back then, Dad's leadership was limited to saying the familiar first words, "Bless us oh Lord..." and then we'd all join in, "and these thy gifts, which we are about to receive from thy bounty, through Christ our Lord. Amen." It was the same blessing we said every day, for every meal, but on Thanksgiving, we recited those well-known words with special fervor. For on that day, the word "bounty" really meant something.

The pictures with this post were taken 39 years ago today, on Thursday, November 26, 1970. When I saw the date noted on the back of Jack Marshall's contact sheet, I was amazed that Thanksgiving fell on the same date, November 26, as it does this year. I checked an online calendar to make sure it was true!

Before the meal, everyone trooped out front for Dad to take our picture: Mom, my brother John, and my sister Mary, with only brother David missing; Mere, and my father's mother, Catherine; my father's sister Doris and her husband Harry (in his Navy uniform), along with their daughter Patty and her husband Bill, and Catherine's sister, Blanche. I believe I took the other picture, of Dad, just before he began carving the turkey, with a happy Mere to his right and his mother Catherine to his left. Dad always made a big show of honing the knife to its sharpest just before starting to slice.

There are so few pictures of Dad -- since he usually was the one behind the camera -- that I really love this photo. Even though he is giving me a big, cheesy pose, I think I can see the twinkle in his eye and his true joy at being surrounded by his family. He is not quite 50 years old, in the very prime of his life.

Less than 6 years later, Jack Marshall was gone.

If he were still alive today, we could be celebrating Thanksgiving dinner with a crowd including his 4 children (and spouses), 11 grandchildren -- many of them now with spouses, and even a couple of great grandchildren. There could be 30 or more around the table, and I bet Dad would still be leading us in "Bless us oh Lord" before proudly carving the turkey. I'm sorry Dad died without ever sharing that huge Thanksgiving feast. There might have to be a kids table now, and there definitely would be even more food.

And I'm very certain Jack Marshall would have taken the definitive photograph of the assembled group, because that's what he always did. He would have enjoyed this day immensely.

Today when I give thanks for the many blessings in my life, I will, as I always do, say a silent prayer of gratitude for our heroically normal, quietly loving father, Jack Marshall. For he gave us the gift of a happy, secure, wonderful family, his forever legacy to us all, a gift of infinite, inestimable value.

Happy Thanksgiving everyone!

--Tom Marshall, New York City,
Celebrating Thanksgiving 2009 in Seattle

Veterans Day 2009

One of my most treasured possessions is a textbook from Jack Marshall's senior year at Centenary College of Louisiana. The book, “Advertising Procedure,” sits on a shelf near my computer here in New York City. I find myself picking it up fairly often, flipping through the pages with their illustrations of what now would be considered classic advertising. For some reason, the fragile yellow pages and my father's carefully scripted margin notes always give me a strong sense of his everlasting presence in my life.

At the end of Chapter 11 in Dad's book, there is a handwritten assignment dated “12/5/41” with a notation to read certain pages by “12/8/41.” I guess as he was studying that weekend and completing that assignment, his world changed forever, because that Sunday as we all know, Pearl Harbor was attacked, and a few short months later Jack Marshall and many of his classmates were thousands of miles from home, in Europe and Asia, fighting for the freedoms we continue to enjoy as Americans today.

My father, John Wilcox Marshall Jr. (known to all as "Jack"), graduated from Centenary in May of 1942 and, barely 21 years old, immediately joined the Navy. By the summer of 1943, he was on board the USS Mullany when the destroyer was commissioned in San Francisco and steamed into World War II in the Pacific Ocean. The photo above shows Dad, by now about 22, standing second from left, and other officers on the Mullany sometime in 1943.


More than 20 years later, my oldest brother, John Wilcox Marshall III (above, at bottom of airplane steps, in a picture taken by Jack Marshall), followed his father into the Navy, serving aboard the guided missile cruiser USS Galveston during the Vietnam War. Though the circumstances of John's enlistment and the war itself were far different from our father's service, I know my brother too believed in the importance of fulfilling his duty to serve our country.

The newsman Tom Brokaw has written a book calling Jack Marshall and his contemporaries "The Greatest Generation." Not only for their service in World War II but also for their relentless hard work and optimism building America into an even greater nation in the years that followed. I have many friends whose fathers also served in World War II. Over the years, those friends and I have shared memories of our dads, and the qualities and values we know they gave our families and our lives.

The Department of Veterans Affairs estimates that about 2 million veterans of World War II still are living, but they are dying at a rate of about 1,000 per day. All are expected to be gone by 2020.

Jack Marshall came home from World War II, met and married my mother, and together they raised four children in what for me was a wonderful, happy and supportive environment. Dad was not perfect, but he loved his family and his country. My father died far too young, at the age of 55, in 1976. I still miss him every day.

On Veterans Day 2009, I want to publicly express my gratitude to my father John W. Marshall Jr., my brother John Marshall III, my nephew Andrew John Marshall (John's son, an Air Force B-52 navigation officer) and all of the men and women who ever have served or now are serving in the armed forces of the United States of America.

Thank you for your service to our country!

–Tom Marshall, New York City

Rocky Mountains, Hi

Imagine this.

The year is 1964. Trips to Hawaii, Europe or the Caribbean – anything that requires a passport or an airplane ticket – are strictly fantasies, suitable only for the rich.

Although the revolutionary system of smooth, straight interstate highways is under construction, it is a time when cross country car trips cover many miles on old two- and four-lane highways that pass through the center of each little town along the way. Air conditioning is a relatively new option on automobiles and it is something you pay extra for in motels. Almost everyone drives an American made car; you are either a GM family or a Ford family.

So, just for fun, you load 4 children into a 1961 Buick LeSabre which nominally features air conditioning – tepid at best and tending to make the engine run hot. You put a giant canvas tent in the trunk, along with all the powdered food and canned goods you can fit. You fill the fuel tank with 20 gallons of gasoline at about 27¢ per gallon.

And then, you leave Shreveport, Louisiana, headed for the Great American West.

That's exactly what the Marshall family did for fun. Our father, Jack Marshall, thought it might be interesting, educational – and cheaper – to go on a camping vacation "out West."

Just before his 1943 World War II deployment as a U.S. Navy officer in the Pacific, Dad had for a time been stationed in San Francisco, and had fallen in love with the Western landscapes immortalized by Ansel Adams. So when the logistics and expense of beach vacations became too much for our growing family, and when we all clamored for something other than vacation trips to visit our relatives in New Orleans, Dad hatched his plan for camping.

After a couple of trial runs to Arkansas and Oklahoma, we finally were ready for our grand adventures to the West. Although this 1964 trip was the first, we ultimately took several car and camping trips to the West that gave our wide-eyed Louisiana family (and a couple of unsuspecting guests) memories of a lifetime, with stops at landmarks such as the Grand Canyon, Hoover Dam, Pikes Peak, the Air Force Academy, Rocky Mountain National Park, Garden of the Gods, the cliff dwellings at Mesa Verde, Las Vegas, Lake Mead, Death Valley and eventually even Yosemite National Park, Los Angeles, Disneyland and the Pacific Ocean.

We did it all without cruise control, cell phones or video games. And most of the time without television, air conditioning, electricity or even running water.

On the first day of that 1964 trip, as would be the case in all future trips West, we drove across Texas. Not all the way across Texas, but almost. That first-day drive of nearly 600 miles always was as far as a family of 6 in a recalcitrant, low riding, prone-to-overheating Buick could tolerate in one day. When you leave Shreveport heading west, you almost immediately cross the Texas border. Starting soon after sunrise and driving hard for 14 hours or more, we usually limped into Amarillo (or "Armadillo" as Jack Marshall insisted on calling it), long after the sun had set in a blazing wet pool on the asphalt in front of our hot, tired car full of intrepid adventurers.

Nothing ever looked as welcoming as that Best Western Motel, just off what is now referred to as "Historic Route 66," where we usually spent our first night. After a shower and the last of the sandwiches and fruit my mother had packed in Shreveport, we all fell into our beds, exhausted. And we slept well that night, knowing it was the last night for a while with artificially cool air or blessedly hot water.

Day Two always dawned with excitement. First of all, we got to eat breakfast in an actual diner. Jack Marshall used to proudly announce as we trooped in, looking like we hadn't eaten in a week, "Kids, you can have anything you want, as long as it doesn't cost more than 59 cents!" We were pretty sure he was joking, but then again, maybe not. And once, a waitress dutifully trying to clarify my mother's order for an egg, asked her, "Over easy?" To which Giffy Marshall , suspicious of any meal not prepared in her own kitchen, tersely responded, "Oh, no, not greasy!"

The second day of our trip also was exciting because it was the first day we would see the mountains. Leaving Amarillo, we headed northwest, through a corner of New Mexico. At some point, the road began to rise, and soon we were in Raton Pass, which would carry us into Colorado. The heavily loaded Buick (see above) labored to climb the hills and Dad carefully pumped the brakes as we lurched down steep inclines.

The first morning of our first camping trip to Colorado, everyone woke early. It was still dark outside, but the Eastern sky showed traces of the coming sun. My father reluctantly rose with us, and we joined some new neighbors at their campfire. As we huddled together in excitement, Dad guessed with the other father how cold it must be. Then, stifling a yawn, my Dad squinted at his watched and remarked that he couldn't remember the last time he was awake at 5:30 in the morning. Incredulous at my father's "rookie mistake," the neighbor pointed out that we were now in the Mountain Time Zone, and it was actually 4:30 a.m. Dad was horrified, but he told that story for the rest of his life.

Still, Jack Marshall the photographer was in heaven, with breathtaking landscapes in every direction. One of his favorites is at the top of this entry.

For the next two weeks, we snuggled each night into sleeping bags against the Rocky Mountain chill. We sang songs around roaring campfires. We bought blocks of ice to keep milk and eggs fresh in a cooler. We ate pancakes and bacon cooked on a Coleman stove. We drank Tang, just like the astronauts. We went on nature hikes conducted by National Park Service rangers. We looked for – but never found – arrowheads and other Native American artifacts. We drank ice-cold water from roaring creeks. We saw snow in July and mailed postcards to friends and relatives back home in Louisiana.

Our camping trips to the West were grand, glorious, memorable and happy. Without a doubt, these trips ultimately helped define who we were as a family, and who we kids became as adults.

– Tom Marshall, New York City

The First Day of School

I have a confession to make. I haven’t been completely truthful with you about something.

When I wrote a few weeks ago about suffering through the absolute peak of my preteen geekiness, I said the worst moment was on my 10^th birthday in February 1964 (“The Fishing Trip, September 28, 2009). Upon further review, I must admit I lied.

In my defense, I wrote that because I was confronted with a Jack Marshall photograph of me in a little aluminum fishing boat. My own horror at my appearance came roaring back into my consciousness when I found that picture, but it was more than mitigated by my remembrance of that wonderful day of male bonding with my Dad, which at the time I considered the greatest day of my life and still would be were it not for the birth days two-plus decades later of my own children, James and Catherine.

No, the truth is the absolute worst occurred a bit later, when as a 5th grader at St, Joseph’s Elementary School in Shreveport, I was photographed (see below) wearing glasses so thick and so hideous that even now I literally shudder when I find it necessary to gaze upon my own image. On top of that, at some point during those same years, my ears grew faster than the rest of my head. Fortunately this was long after the Disney movie “Dumbo” was popular and long before the release of the critically acclaimed “Elephant Man” film, so the worst my so-called friends could come up with was the nickname “Big Ears” or just “Ears” which I was called fairly regularly for quite a few years. (Actually, as I think about it now, some of them still call me that, though I cannot for the life of me see why).

My father, Jack Marshall, either loved his youngest son so much that he couldn’t see the deformed youngster staring at him through the viewfinder of his camera. Or more likely, he could see all too well but he was too compassionate a father (and fellow male member of the human race) to let on. Because my friends, there are lots and lots of pictures of me from that period.

One reason there are so many pictures from that time was because in addition to being Jack Marshall’s always willing portrait subjects, we the Marshall kids were subjected to certain rituals. One was the “First Day of School” picture each September. No matter how big a hurry we were to get to St. Joe’s (or Jesuit, or St. Vincent’s Academy for my sister Mary), no school year started without us stopping to pose for Dad’s traditional photograph. He tried to vary the settings, but invariably there we were on the front or back porch of our house, sometimes with a bicycle or American flag prop, sometimes waving as if we were leaving at that very moment. Jack Marshall was channeling Norman Rockwell, and he was determined to do him justice!

Actually, despite my inner and outer geek, as I look now at the “First Day of School” picture at the top of this entry, I do see some things I like. Those are real Chuck Taylors I’m wearing, which I got not so much because they were cool (they weren’t back then, but they are now) as cheap. And I do believe my backpack, with its “US” symbol, is 100% genuine Army surplus, again in the Marshall family tradition of good value. Nowadays you’d pay a premium in a second-hand store for that kind of authenticity.

But the real reason I like this photo so much is Mary. Of course she is stylish – then as now. Of course she is much more thoughtfully coiffed and attired, no doubt the result of having actually thought about her first day outfit at least the night before (unlike my roll out of bed and put on what I wore the day before look). No, what I really like about this photo is the way Mary is looking up at me, idolizing her older brother for his wisdom and leadership as we head into the wild unknown of another academic year. This may be the only picture that captures Mary in that pose, for I can tell you with certainty it was short-lived. Pretty soon after that, she discovered that I, like most other boys of a certain age, didn’t have much of a clue about anything.

At some point, by the time we were both in high school, Jack Marshall could no longer count on getting us to pose for him every year. At least not on the first day of school. Definitely not cool. Now I would give anything had the chronicle continued, because even though there are photographs he took of us right up until his death in 1976, nothing quite compares to these special moments he commemorated each September, when we were unfailingly hopeful and the school year report card still was unmarked.

As for Mary, I’m pretty sure we’ve come full circle, and once again she does admire some things about me. After some indifferent patches in our high school and college years, we’ve been through a lot together, including marriages and divorces, parenthood and aunt- and uncle-dom, happiness and pain, lots of fun and not a few tears. Over the past 20 or so years, we’ve been downright nice to each other, most of the time.

But I look at Dad’s “First Day of School” photo and realize there is no chance I’ll ever see quite that look of sibling love and loyalty again. It is too childlike, in the best sense of the word, ever to be repeated. Nonetheless, there it is, forever preserved by the photographic talent and the love of tradition that were the trademarks of our wonderful father, Jack Marshall.

--Tom Marshall, New York City

The Art of Portraiture

Jack Marshall's portraits still amaze me.

There is a way that some artists connect with their subjects and show you something special about that person. I believe my father had that gift.

While Dad idolized the breathtaking landscape photography of Ansel Adams – and even did his best to emulate his remarkable vision of life in the West – I remember as a child hearing another unusual sounding name spoken with respect and admiration in the Marshall house. That name was Yousuf Karsh, the Canada-based photographer known for his stunning portraits of almost every important person who lived in the 20th century. Karsh made perhaps the most famous photograph ever, this portrait of Winston Churchill.

In my initial post to The Jack Marshall Collection­™ Blog, published last July, I explained my father's methodology for taking his portraits. It was simple. There were no sophisticated lights, or backdrops, or props. But somehow, with each person who sat down in front of his ever present Rolleiflex camera, Dad developed a trust which allowed that person to reveal themselves. Over the years, my father took portraits of family members, friends and neighbors, priests and nuns, girlfriends, boyfriends and spouses, actors, models, athletes, businessmen, politicians, the very young and the very old. As far as I know, he had no preference, and he approached each sitting with a single minded passion to understand and capture the essence of his subject.

Many of those portraits, including all those shown here (except for the crazy one of a very young me), are of people whose names even today I am uncertain. (If you are one of these people, or if you know for sure who they are, please let me know, and I will update the records).

Of the approximately 10,000 black-and-white images that I am organizing into The Jack Marshall Collection™, I would guess that maybe one-fourth are portraits.

My father's love of portraiture was obvious and long lasting. Some of the earliest photos I can find in Dad's archives are portraits, as are some of the very last photos he took before he died. To my knowledge, he was rarely if ever paid to take someone's portrait. He did it because ... that's what he did. There was something very special to Dad about being allowed to take the portrait of a fellow human being.

Most of the portraits were taken in our living room. The majority are quite good and a few are pure magic. I bet many of Dad's prints from those sessions are still hanging in homes in Shreveport and across the country, representing to the subjects a special, wonderful moment in their life when Jack Marshall took their portrait.

(To see more Jack Marshall portraits, please go to the Galleries page of The Jack Marshall Collection™ web site. I will continue to add additional images in the coming months.)

As times and styles evolved, so did his willingness to experiment with different cameras and settings. In work from his later years, I see more examples of what came to be known as "environmental portraits," where the subject was captured in a more natural setting, such as an office, or outdoors, or doing something other than merely posing for the photographer and looking into the camera. For me, though, Jack Marshall's enduring contribution to portraiture is best demonstrated by those simple, beautiful, black-and-white images he composed in those quiet, one-on-one sessions in our living room.

Now, more than 33 years after Dad took his last photograph, his subjects stare out at me, unblinking across the decades. As all people do, Jack Marshall finally reached the end of his time on earth. But he left for us hundreds of remarkable moments, images of pure humanity that will live forever.

– Tom Marshall, New York City

Images of New Orleans

In addition to Paris, Rome, Alaska and Hawaii on the list of places you must visit some day, you dare not forget New Orleans. Ever since its founding in 1718, New Orleans has held a special place among the great cities of America and the world.

After I graduated in 1976 from the University of Missouri journalism school, my first job was as a copy editor at New Orleans's afternoon newspaper, The States-Item. I got the job while visiting relatives in The Crescent City. The editor asked me if I would mind trying out – "sitting in" one morning at the copy desk. Having nothing to lose and intrigued at the possibility of living in New Orleans, I agreed. A few hours later, they offered me a job.

On my first day I walked straight into a newsroom that could have been the setting for a top-rated TV show. It was like Barney Miller meets Mary Tyler Moore. Back then, the team of people who wrote, photographed, and edited The States-Item was an eclectic cast of characters with whom every day was an adventure.

The newsroom itself was a riotous marketplace of sights, sounds, words and ideas. Teletype machines clacked incessantly in a glassed room at one end of the floor, and conveyor belts whizzed overhead, carrying articles and photographs from the newsroom to the composing room and eventually to the press room. Telephones rang constantly. People shouted to each other across the room. There were no computers or even electric typewriters. We still used carbon paper (youngsters, look it up). And in the middle of the newsroom was the copy desk, a big horseshoe-shaped counter surrounded by a microcosm of New Orleans: men and women, young and old, black and white, sometimes crazy but mostly sane, all smart, savvy and experienced.

I reported to work each day at 5 a.m. to edit articles and write headlines for that afternoon's editions. Among the denizens of the newsroom were:

• A hard-nosed editor who, not unlike Perry White at the fictional Daily Planet of Superman fame, delighted in throwing stories back on our desks and challenging us in very colorful and graphic terms to fix our mistakes or else. And the "or else" was usually even more graphic. He was always correct, of course, about the stories needing work, but still we trembled in our shoes when we fell victim to his wrath.
• A "rewrite man," originally from Mississippi, who delighted in telling everyone, "I've been all over the world and to parts of Arkansas too." But when there was an airplane crash, or a ferry loaded with commuters collided with a tanker in the Mississippi River fog, or a particularly gruesome murder was discovered, he could juggle three phones simultaneously from reporters covering different angles and bang out a coherent story at the same time.
  
• A zealous news photographer so competitive he once literally kicked a competitor out the open door of a chartered helicopter just as it was about to lift off, so that he'd be the only one to get a great aerial shot of a burning warehouse.
• And most memorably, a crime reporter named Jack Dempsey (may he rest in peace) who referred to himself as "The Writer Not the Fighter," dressed daily in a seersucker suit and straw hat, and signed the bottom of each of his stories from the police blotter with the acronym "A.L.I.H.O.T." which I came to learn stood for "A Legend In His Own Time."

It was so much fun I found it hard to believe I was actually paid to do my job.

Today, 33 years after I started work at the now defunct States-Item, I find myself transported back to New Orleans as I sift through Jack Marshall's photographs of the city where he met and married my mother. Among the thousands of photographs in The Jack Marshall Collection™, I find myself strangely drawn to my father's photographs of this beautiful old city.

My favorite is "Boy In A Bookshop," the inset at the beginning of this entry. This photograph and the other two shown here are found on a precious few rolls of film Jack Marshall shot over several weeks in the summer of 1959. These three are the best – but by no means the only – memorable images my father made that summer. Looking at the contact sheets now, it seems he was in one of those brief but highly creative periods of work so many artists enjoy. Studying each frame is like finding a new treasure.

In my New York City apartment, I have hung an enlargement of "Boy In A Bookshop," always imagining I am the little boy in the window. The nighttime picture of Canal Street (top), with the illuminated streetcar and other remarkable details ("Essso Standard Oil Company" to the right, "Saenger" theatre on the left) was shot looking riverward from near Rampart Street. To me it is an iconic image of New Orleans. I also admire my father's unusual vision of Audubon Park (bottom), depicting not only the expected imagery of mighty oak trees draped in Spanish moss, but also the added drama of the tower of Holy Name of Jesus Catholic Church, where he and my mother had been married 14 years earlier.

For our family, New Orleans has been home to lives both long and short. A place for births and marriages, careers and celebrations, growing up and growing old. Even for sorrows and deaths.

For Jack Marshall, New Orleans also served as the breathtaking inspiration for many beautiful, memorable photographs, as timeless and unique as the great city itself.

– Tom Marshall, New York City

The Fishing Trip

For my 10th birthday, I had just one request. I wanted my father to take me fishing.

I had it all planned. This was not going to be fishing with a cane pole from the bank of the bayou a block or two from our house. Heck, that would've been too easy. My best friend Patrick Grant and I – along with almost every other kid in the neighborhood – fished by ourselves in that bayou all the time. We didn't consider that "real" fishing though.

For real fishing you needed a real rod and reel. And a real tackle box. And a real lure, not a worm or cricket or scrap of bacon on a hook. Most of all, you needed a boat.

The rod and reel were easy. For months, I had pored over the slick color advertisements in Boys' Life Magazine and I had found the perfect gift. The ad promised that, in exchange for $10 plus a small amount for shipping and handling, you would receive a 100% genuine grown-up "fishing kit" that virtually guaranteed huge fish would be jumping into your arms. The kit featured a rod and reel, a collection of lures, and a hunter green tackle box.

I must've done a pretty good sales job that year, because on my birthday, February 10, 1964, my father proudly presented me with the fishing kit I had seen in the magazine ad. The rod was tiny – it looked like it was made for a 3-year-old – and the lures were poor imitations of the shiny, multicolored "H&H" lures we kids had spent hours examining near the check-out counter of our local Pak-A-Sak convenience store. Worst of all, the tackle box was a cheap-looking, diminutive plastic case not much larger than a size 3 shoebox.

I tried to hide my disappointment. Still, it was exactly what I had requested, and I remembered the smiling boy in the ads. We could make this work. My father had spent ten whole dollars on this gift, and I was not about to appear ungrateful.

Since my birthday occurred in what passed for mid-winter in Louisiana, the actual fishing trip was scheduled for a time when the weather turned warmer.

Finally, the day arrived. May 17, 1964. It was a Sunday morning, 3 days after Dad's own birthday, his 43rd.

The night before, as I was carefully preparing my clothing and gear for what was sure to be the greatest triumph of my young career as an outdoorsman, my father asked me what time people were supposed to leave for a real fishing trip. I had heard that fish were hungriest when they just woke up, so I guessed 4:30 a.m. Dad grimaced and suggested 7 o'clock. We compromised, as I recall, on 6:00. The next morning, we were up early. As we quickly ate breakfast, Giffy packed tuna salad sandwiches and fresh fruit for our lunches.

And then we were off on our grand adventure.

Dad drove north from Shreveport on Louisiana Highway 1. We passed through the barely awake towns of Blanchard and Mooringsport. We crossed a low bridge on the edge of our destination, Caddo Lake – a huge body of water which straddles the border between Louisiana and Texas. Caddo Lake, named for the Native Americans who lived in the area beginning in the 16th century, is reportedly the largest freshwater lake in the South and home to the largest cypress forest in the world. Of course Jack Marshall had his camera, and when we arrived at the small marina in Oil City, he took a moment to frame the photograph at the top of this entry, just as the sun began to peak through the huge old cypress trees.

Now it was time for some serious fishing. Dad paid our rental fee, and I clambered down into the little aluminum row boat. He snapped one more photo, the one of me smiling through my thick glasses (my 10th year may have been the absolute peak of my geekiness, as you can see in the photo at the beginning of the article). When I found this photo recently, I shouted out loud, "Oh boy!" There was no one to hear my shout, but I was overwhelmed because I did not know this photograph even existed. Looking into my own face, eyes and smile from a time more than 45 years ago recreated in me the very same feeling I had at that very moment: absolute, pure, boundless, giddy joy.

And then, we shoved off into the still, black waters of Caddo Lake. The intrepid fisherman in me entertained visions of huge fish, mounted forever on the wall of my bedroom. Dad allowed me to select the first fishing spot. Miraculously, the little fishing kit functioned perfectly, and soon my lure was in the water. Dad had a rod and reel too, and he tried his hand. Alas, this spot held no luck for either of us. We moved on to another quiet corner of the lake, and then another. Not even a nibble. By 9:30, we were eating the sandwiches, and talking quietly. Man to man (sort of). Like fishing from a boat, this too was a new experience for me. By 11, with no fish in the boat and running low on food, we headed back to the marina. We were home by noon.

Rather than being disappointed, though, I was satisfied. We had given real fishing a try. We had bonded as father and son. Looking back, I realize now Jack Marshall had given me the most valuable gift of all, his time. In the process, he taught me some important truths about parenting – that a child's dream is important to follow, even if the reality doesn't quite live up to the hope. That sometimes just being there is truly the best gift. And that you can say "I love you" in actions as well as in words.

It was, without any doubt, the greatest day in my young life.

– Tom Marshall, New York City

Forever Mary

Whenever a new acquaintance asks me if I have any brothers or sisters, I always tell the same story. I say, yes, I am from a good Catholic family. I have two older brothers – John and David – and then me, Thomas, and then I always say, "Followed by a little sister named ... " And then I pause and raise my eyebrows in question and wait.

About 99% of the time, the following then happens. I watch the wheels turn in the brain of this person to whom I've presented this fun little challenge. Then after a few seconds, they inevitably brighten and triumphantly announce to me:

"Mary!"

And I smile and say, "YES!" And then I tell them that Mary was, is and always will be "The Princess" of Jack Marshall's family. And usually they chuckle agreeably and say they understand how that certainly must be true.

Mary Louise Marshall arrived on the scene on October 29, in a year I dare not mention, when I was about 2½ years old. At that very moment, the balance of power in what had been decidedly a male dominated household (with my father and his three sons easily holding the gender advantage over the lone woman in the house, Giffy) changed forever.

Gone were closets full of blue baby and toddler clothes, passed down from one brother to another. Gone were jeans with multiple knee patches. Gone were trips to the emergency room for one injury or another. Gone were boys who smelled like ... well ... BOYS!

In their place were all new clothes. Pretty pink things with satin ribbons. Sweet smelling baby powders and lotions. Lacy dresses, knee socks, patent leather shoes. Bangs and baby dolls.

And one more thing. More pictures of Mary than of all of the rest of us put together.

Jack Marshall, the father of three sons, was a great documentarian of our young lives. When little Mary came along, Jack Marshall, father of three boys and one precious little girl, was smitten. Jack Marshall was overcome by the desire to capture and preserve for all time every cute little expression, smile, giggle, flirt and characteristic of his only daughter.

The pictures you see with this post – a portrait (top), taken when Mary was not quite 3, the picture of her splashing in the puddled rain in the back yard of our then brand new house on Audubon Place (bottom) taken on June 29, 1963, and the self-portrait of Mary and Jack together (at the beginning of the post) – are three of what are literally dozens (or perhaps hundreds, I can't say for sure) of photographs of Mary that I have encountered since I began the project of compiling Dad's photographs for The Jack Marshall Collection™.

Sometimes I think, this all makes me sick!

And if Mary weren't such a wonderful person, and a great sister, and a loving wife to Larry Cobb and the super mom to some fantastic nieces and nephews of mine, it probably WOULD make me sick. But she is all of those things, so I can't really begrudge my father for wanting to immortalize seemingly every moment of her young life.

If you want to see more of my father's photographs of his precious little daughter, click here for the "Mary" gallery on The Jack Marshall Collection™ website. (Come back often to this gallery because I promise I will be adding more photos.) And if you want to see what she and her brothers and mother look like now, this photo was taken last Thanksgiving.

Today, Mary still has traces of that same impish smile, and she unfortunately has passed on to all of her children the subconscious need to stick out their tongues to "get it just

right" when trying to accomplish a difficult task. I still can see that little girl in her every day. The pictures that Jack Marshall took of his little Princess are a wonderful legacy, to be treasured forever.

(By the way, I'm totally fine with all of this. I have no problem whatsoever with the fact that Dad liked her best. Or that my older brothers beat up on me but I never was allowed to lay a finger on Mary. Over the years, I've come to terms with all of it. The therapy and medication haven't been too expensive, and the doctors say that some day I'll be 100% cured. Really. I'm good.)

– Tom Marshall, New York City

Life at St. Joe's

When I was a rookie altar boy in the early 1960s at St. Joseph's Catholic Church in Shreveport, I often would be assigned to serve at the 6:15 a.m. weekday Mass. My father, Jack Marshall, would shake me awake at about 6, and I would dress quickly and then hop on my bicycle and begin pedaling through the early morning mist toward St. Joe's.

Down the block, as I passed my best friend Patrick Grant's house, he'd often be coasting down the driveway on his bicycle and the two of us would ride together the half-block or so from Atlantic Street to the church, entering the side door to the sacristy by 6:10. By 6:14, we were dressed in our altar boy robes and had lit the few candles in front of the sparse but faithful group of daily Mass-goers scattered throughout the church.

Then, no more than 30 seconds before the scheduled beginning of Mass, a young Irish priest, Father Richard Lombard, would blow through the sacristy door and don his robes with a practiced speed that I believe surely would have beaten even Superman's best time for a wardrobe change. And then, at precisely 6:15, we'd ring the little bells and start our quick procession to the altar. Mass was under way, and if you were an altar boy for Father Lombard, you had to be on your toes.

That's because Father Lombard – especially in the days of the Latin Mass, with the priest's back to the congregation and prayers and responses mumbled in a rote script that was barely understood – was the all-time champion of speed-Mass and, as a result, the altar boys' favorite at St. Joe's. Mass with Father Lombard was a precision ballet of perfectly timed Latin prayers, rituals of water and wine, the ringing of bells, and the distribution of communion. If you served at Father Lombard's 6:15 a.m. Mass, you could finish your duty and be at home eating Giffy Marshall's hearty breakfast by 6:30 or so.

It was, most certainly, a modern miracle of religious brevity.

But serving at early Mass was only one aspect of life at St. Joe's. Beginning with its founding in 1949 by some 250 families (the young family of Jack and Giffy Marshall included), St. Joe's has been the center of life for thousands of Catholic families in Shreveport for more than a half century. Most live in the Broadmoor area of town where the church always has been located. For these families, St. Joseph's remains the religious, educational and social heart of the community.

On November 28, 1962, Jack Marshall took the photograph at the end of this entry. It shows me (third from left) and some of my third grade classmates at St. Joseph's giving a presentation in Newman Hall, the school's multipurpose cafeteria. My fellow 6:15 a.m. altar boy, Patrick Grant, is at the far left.

To me, this photograph illustrates what St. Joseph's was – and is – all about. Young people learning and growing in a happy, safe, and caring place. I know there are adults today whose recollections of their early Catholic educations are not the same as mine. But my own childhood memories of those years are filled with nothing but goodness, feelings of always being cared for, a strong dose of needed discipline, and a happy, loving environment.

To be sure, we at the same time feared and adored the priests, nuns and teachers who were always there for us. We had favorite teachers – the names McCollough, Touchstone, Searcy, Slette, Vermaellen and Sister Leonita come to mind – and we had ones we dared not cross, whose names shall remain anonymous.

One nun among the many provided to St. Joseph's by the Sisters of Divine Providence was a woman who inspired our greatest combination of fear and affection. She was our principal, Sister Bernard Marie, a compact bundle of energy with a powerhouse personality and a stronger force of will than even the most determined sixth grader. Nicknamed "The Little Tank" by a generation of St. Joseph's schoolchildren, we all walked the halls in trepidation, lest we break one of the many rules necessary to keep chaos at bay in a school teeming with kids from toddlers to preteens. Because if you broke the rules, you had to answer to Sister Bernard Marie.

At the same time, I remember her compassion, creativity and obvious commitment to the students of St. Joseph's. Sister Bernard Marie most of all clung to a fervent desire that every child at our school should succeed and excel. And a belief that every child could do just that. I treasure the photo at the top of this entry that Jack Marshall took of me with her on what must have been my First Communion day on March 30, 1961. You can see not only my ill-fitting suit, dubious fashion choice in shoes, and slicked down hair, but also my excitement. And most of all, the look of pure joy on the angelic face of Sister Bernard Marie.

A few years ago, my mother sent me a newspaper clipping about the death of this great lady. It brought back a flood of memories of a very special time in my life. I'm so glad Jack Marshall was there, as he almost always was, camera in hand, to capture many of those moments, so I can share them with you now.

While I was finalizing my research for this entry, I called the office at St. Joseph's. There are almost 500 children enrolled there now, I was told – an all-time high. And guess what else? On the church's website, I saw the smiling face of Father Richard J. Lombard, still serving the parish 50-some years later. I was told that Father Lombard has served other churches since my long-ago early morning altar boy times, but is now back at St. Joe's and going strong at a time when lesser men would have slowed. But apparently "slow" is not in Father Lombard's vocabulary. When I mentioned that he was a speedy Mass celebrant way back then, the woman on the other end of the line chuckled fondly and said, "He still is!"

Nice to know some things never change. Like the importance of family, teachers, and taking care of our children. And maybe even the speedy celebration of daily Mass in a wonderful old church.

–Tom Marshall, New York City

Giffy Marshall

Ask anyone in Shreveport, Louisiana, if they know Giffy Marshall, and chances are, you'll get a positive answer.

Although she was born in Jacksonville, Florida, and lived in places such as Baltimore, Atlanta, and even at the St. Mary of the Pines School in Chatawa, Mississippi, Yvonne Louise Adele Gifford Marshall originally was a New Orleans girl through and through.

As a youngster, she was known as "Yvonnette," since her mother was also named Yvonne (see the "Mère" entry from August 26, below). Then, in 1944, she met Jack Marshall, a young naval officer back from two years service in the Pacific. They met at a dinner party -- each as someone else's date -- but then their own romance blossomed at New Orleans' old Naval Supply Depot, where they both worked in the closing days of World War II.

I don't know all the details of their courtship and early life together, but a few things are ingrained in family lore. Their first official date was dinner in the Caribbean Room at The Pontchartrain Hotel in New Orleans. Another memorable evening was spent enjoying oysters at the still thriving Casamento's restaurant on Magazine Street. They were joyously married on March 2, 1945, just a few short months before the end of the war, at Holy Name of Jesus Church on St. Charles Avenue across from Audubon Park (see photo below) and honeymooned at the ritzy Broadwater Beach Hotel in Biloxi, Mississippi. They suffered together the unspeakable tragedy of the death of their firstborn, little Mary Dale Marshall, who lived only three days after her birth in December 1945.

Soon, they moved to Jack's hometown of Shreveport, where Yvonne Gifford Marshall soon became known to her friends as "Giffy." And for the past 60-plus years, the love affair between Giffy Marshall and Shreveport, and between Shreveport and Giffy, has grown exponentially. You've heard of "Six Degrees of Separation," the theory that any two people in the world are probably no more than six people away from knowing someone in common. For years, if you gave Giffy five minutes of your time, those six degrees often could be reduced to one.

It was on June 28, 1959, in the yard of our little white house on Atlantic Street, that Jack Marshall created the above portrait of his bride, by now the mother of me and my three siblings -- John, David and Mary. It is obvious to me that he was proud of Giffy and of that picture, for he signed it, in ink, at the bottom right, an unusual gesture for a man who was just discovering his gift for photography.

The legend of Giffy Marshall grew over the years. Like many women of her day, she hosted dinner parties and scout troop meetings with equal aplomb. She made friends everywhere she went. No one has ever worked a room better than Giffy in her heyday. And every weekday, my father left work and came to her kitchen for a homemade lunch, even if it was only a tuna salad sandwich, so that they could spend an extra few minutes together.

In her role as devoted wife and mother, Giffy didn't surprise us very often. Once, though, I remember her bursting into a string of expletives (well, not the WORST ones) after burning herself on the kitchen stove. Mary and I looked at each other in total shock. Appalled, Giffy explained to us that she had discussed swearing with our parish priest and he had assured her it was OK. "He said that in cases like this, it's almost like a prayer," she said proudly. Mary and I were not convinced.

Even though she never had the opportunity to attend college (which she always regretted), she was well read and a whiz at English grammar. We turned to Dad for help in math but Giffy always was the one who knew how to diagram a sentence.

It is her traditional values of kindness and charity for which she is best known. Even in the tense racial separation era of 1960s Louisiana, I remember her taking me aside when I wondered aloud why people seemed to be treated differently. "It's not right," Giffy said. "We are all God's children." It wasn't until I was a teenager that I realized a person could become overweight simply by eating too much or not exercising enough. She quickly silenced any snickers about a particularly heavy person we might see in the grocery store with one of her most memorable pronouncements: "Shhh, don't say that, she might have a glandular problem."

When Jack Marshall died in 1976, we thought Giffy would be lost. But somehow, she was not. She was strong, healthy and happy, living in the dream house they built together and surviving financially because of the great insurance my father left for her. She took college courses, tried weight training, enjoyed an endless variety of pets who found their way to her door, went to Mass almost daily, joined social clubs and went to the theater, traveled to visit her children and grandchildren, and attended more graduations, weddings and funerals than just about anyone in Shreveport. She never remarried.

My most telling memory of the bond between my mother and father happened on a long-ago family vacation. It was the early 1960s, driving somewhere across the great American countryside. Oklahoma, I think. Giffy always loved history, and made a point of sharing it with her husband and children, whether we were interested or not.

And, driving on two-lane roads of old, there always were historical markers to be seen, to add to her body of knowledge. My father tolerated her passion for these highway stopping points, no matter how much he wanted to get to the next town, campground or motel. He enjoyed teasing her about this, too, calling them "hysterical markers." But still, he always stopped, and we gathered 'round to listen to her solemn reading of the marker, perhaps even to take a family picture in front of the spot where this or that happened long ago.

Until this one time. Giffy, riding shotgun, had noticed the sign. "Historical marker 5 miles ahead kids," she said, tapping the window. My brothers at the windows of the back seat, and me between them, ignored her with practiced indifference. Mary, sitting in the middle front, had her head on Mom's shoulder. "Three miles to the marker, Jack," Giffy said. But now she was fighting to stay awake against the mesmerizing rhythm of the wheels of our old Chevrolet.

Before I knew it, Dad and I were the only two still awake. I saw the signs building dramatically outside the car window. "Historical Marker One Mile"..."Historical Marker 1000 Feet"..."Historical Marker HERE." I caught my Dad's eye in the rear view mirror as we sped past. I was horrified. I opened my mouth to speak, and -- with a look of what only can be described as male conspiracy -- he shook his head at me, almost imperceptibly.

We never did see that little piece of Oklahoma history. But I learned something that day, about my Dad's love for my mother, which, though strong and true, did not require him to wake an entire car, making good time, for one more historical marker.

Now, at 85, Giffy is living with her sister, Elise, in the house that Jack Marshall built. Just a year or two ago, Mom -- always sharp and with a memory for every detail of our lives -- started to become forgetful. Now we know she has Alzheimer's disease, and the fog is descending upon her mind, albeit at a thus-far mercifully slow pace. She no longer drives her old red Buick. But if there is a "good" stage of Alzheimer's, that's where Giffy is now, for she still knows her siblings and her children and, on good days, most of her grandchildren too. She hasn't the capacity to remember the sorrows of yesterday, nor to worry about tomorrow. She seems happy and content.

However many years she has left (and we all certainly hope it is many), Giffy Marshall already has lived a long, wonderful, happy life. Her sister, brother, children, grandchildren and great-grandchildren have been blessed by her unfailingly sweet nature and the unceasing, lifelong, unconditional love she has bestowed upon us.

I know there never will be a Giffy Marshall hysterical marker at her Audubon Place home in Shreveport. Maybe, though, there should be.

- Tom Marshall, New York City

Steamboat Gothic

It is the most iconic photograph in The Jack Marshall Collection™.

This photograph (above) of San Francisco Plantation, on the Great River Road near Garyville in St. John the Baptist Parish, Louisiana, was captured by Jack Marshall sometime in late 1958 or early 1959. This breathtaking home, built in 1856, was listed on the National Register of Historic Places in 1974. It certainly is one of the most distinctive of the dozens of plantation homes that dot both sides of the lower Mississippi River.

According to the plantation's web site, the home's unique architecture, viewed from some angles, closely resembles the "ornate yet graceful superstructure of a Mississippi riverboat." It is the inspiration for the novel "Steamboat Gothic," written by Frances Parkinson Keyes about a family she imagined lived there.

Earlier this year I investigated Jack Marshall's darkroom at my mother's house in Shreveport for the first time in the 33 years since his death in 1976. The process of discovery was amazing and fun, as each cabinet and drawer revealed new treasures. Now as I study and organize the many prints my father so lovingly printed, annotated and stored, the many variations of this photograph have emerged as possibly the most often printed image of Dad's work.

That's why I selected "Steamboat Gothic," as Dad titled his work as well, to be the home page image on the main web site of The Jack Marshall Collection™ (www.jackmarshallcollection.com) which is launching this week.

To me, this remarkable image of a well-known South Louisiana plantation house is not only one of the best examples of my father's artistic talent, but also provides a perfect insight into how he worked. Another view from below the steps is published at the end of this entry. The key to understanding how Jack Marshall worked can be found in the detail of my sister Mary, somewhere around 2 years old, determinedly toddling her way down the plantation's grand staircase.

If Mary was 2 years old at the time of this photo, I would have been about 4. And although I don't remember the exact circumstances surrounding the trip during which Dad created this image, it doesn't matter. Because the Marshall kids were usually there when Dad was making photographs.

That's the point of this entry.

Jack Marshall almost always had a camera -- or two -- around his neck. Of the thousands of photographs which I am now organizing, a huge percentage are images of my mother, brothers, sister, aunts, uncles, cousins, classmates and friends. But while he was taking our pictures, he also always was looking up at the big world around us. And then turning the camera in other directions, for many remarkable, memorable photographs.

By the time Dad took the family out West for our camping adventures, we were totally accustomed to the many extra photo-taking stops along every road, hike, dam, beach, picnic and tour. The memories of all of those places come flooding back to me as I study the tiny images on hundreds of contact sheets, the small index prints of each roll of film my father shot and developed and filed away. Inevitably, there are pictures of Mary and me, or John and David, or my mother, or all of us, standing in front of a National Park entrance, or a motel restaurant, or a "Welcome to Colorado" sign, or a quiet campground or frightening canyon rim. And on those same sheets of tiny family photos often I find stunning images of soaring mountain peaks, roaring rivers, heart-stopping valleys, and sunsets so beautiful I want to cry.

I was there with my living, breathing, happy-in-the-moment Dad, I remember again. I was there when he would say to us, waiting in the car, "Just one more minute." While he watched through his tripod-mounted camera for just the right moment and light to get the photograph he envisioned. Dad was with his family, taking photographs, in his element, doing what he loved most.

I was there once. And through The Jack Marshall Collection™, now you can be there too.

- Tom Marshall, New York City